I've been thinking a lot about story lately. Dear friends were discussing a family phrase for recentering worrying in their house, "Is that the truth, or is that a story you're telling yourself?" It's a good barometer reading for self-imposed-suffering.
Since Deborah Wiles worked with my students (see yesterday's post), I've been thinking on how story tells the truth, even when what you're writing is fiction. It's helping me frame some of my own stories and giving me license to write. It's also providing a more compassionate lens.
(thank you for DW)
When P and I were recovering after the tsunami, we had our stories taken from us by two different people. One journalist published an email we didn't want seen and another author lifted quotes by P and used them in painful, derogatory ways in widely-read angry diatribes. Those violations made me quit talking and question my own reliability and experience. This week, an 8th grade student was doing a research project on the tsunami of 2004 in order to write a short story for her language arts class. She found one of those "shocking but true" books that tells tales of brushes with death. And of all the stories, in that book was the tale of the family that P helped rescue eight years ago. But, P wasn't in the tale. They shared an entirely different story with an entirely different hero. At first I was enraged. For the third time we were absent from our own life-changing experience. But then I thought about what Debbie Wiles taught us, and I stepped back. That story was what that family experienced. They were panicked--like us. They were in survival mode--like us. What they wrote is what they felt, hoped for, and lived through---even if it didn't really happen. Who am I to say I'm the reliable eye-witness? I spent enough years teaching social studies to know that no account is to be trusted when we examine history. Include me in it. I'm sad we're not in the story in the book, but it's only for petty reasons. Mostly, I'm happy that family had a shared narrative that leaves them stronger and that gives their children scaffolding for making sense of something very hard and scary. I'm grateful for story, and it's not mine to judge if it's fiction or not.
That's all sort of heavy and weary-making, so I'll think about this: Today, while I continued to recover in bed, Gus brought me a coconut he picked up on his walk home from school. Things like that make me really dig Singapore. We shook it together, heard the milk slosh around and made plans to smash it open when his dad gets home. In Gus's story, he knows that you can't stand under trees laden with coconuts or one could fall. He also knows that there are different kinds, and we usually only drink from the green ones the street vendors hack into with machetes and poke with bendy straws. He knows every snail in his yard by family order ("that's the littlest brother and the almost biggest sister"), and he also remembers not to touch milipedes or yellow fuzzy caterpillars. The sting is outrageous. Yesterday, a green snake (mildly venemous) climbed the trees in our yard and got into a second story apartment. Gus knows that snakes are dangerous and that we run and get help when we see one. The condo "uncle" who caught it, also told Gus tales of a python he caught on the eighth story last year. Gus is learning his natural world even in a city of five million people, and he is creating memories that I had. Mine featured large mouth bass, ducks, and sunfish. I picked lilacs and goldenrod and not tropical fruit. The parrots in the trees we see here would have only existed at the zoo. When we moved overseas, I worried that we'd lose our footing with nature. Thankfully--hallelujah-- nothing has been lost: the storyline is the same, the elements have just altered. That gives me great joy.
So does smashing coconuts.
